By Sean Cullen, Matthew Geller, Charles Roberts, Adam Wilt
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Extra resources for Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to Real-World Post-Production
Purchasing a hard drive for media archive storage is possibly the most convenient and time-efficient method, and combining CD/DVD, QuickTime references, tapes, and hard drives is the most thorough. ) Using Final Cut Pro in Real World Workflows 37 38 Using Final Cut Pro in Real World Workflows Selecting Hardware Selecting hardware for online and offline projects involves many factors, including budget, convenience, and flexibility. When you make any choices about hardware, take into account the other components in the system to avoid conflicts.
If you can't afford a professional deck for your project, consider renting one for capture ingest and output of your project. Selecting a Playback Monitor Most projects use a mix of monitors for playback. You can choose from a wide variety of devices for flexibility and performance. A small, low-budget project may use a consumer TVwhich is readily available and generally less expensive than the professional equivalentfor viewing cuts. Offline and online workflow projects benefit from using professional reference monitors because the color calibration between Final Cut Pro and external venues is important.
Generally, the input/output (I/O) device, whether external or internal, is dictated by your project workflow and deck interface. Offline workflows will often use external I/O devices connecting via a basic FireWire device and capturing lower data rates; online workflows regularly use internal video cards that enable the capture of uncompressed 8-bit and 10-bit SD and HD through a professional deck. com) I/O FireWire interfaces, which allow online workflow projects the option of capturing D1 10-bit uncompressed video without the need for an internal video card.